Quilter Labs Travis Toy 15 200-watt Combo Amp
Here's some pictures, sound files and comments on my Quilter Travis Toy 15 amp. This is just a short review of some of my thoughts so far.
Comparative amp weights:
- Quilter TT15 Combo: 32.3 Lbs, Cabinet with speaker: 28.5 LBS, Amp head with power cord: 3.8 LBS
- Fender Steel King: 62.4 LBS
- Allen Encore with TT12 speaker: 43.3
- Fender Princeton Tweed: 34.4 LBS
- Peavey Nashville 400: 57.0 LBS
Some useful links:
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Review Summary
This amp is very quiet with no audible white noise. The drop down kickstand built into the bottom of the amp is easy to deploy and gives the amp a nice tilt while remaining in a totally stable position. A nice amp cover is provided
and it includes a useful storage pouch. My personal favorite steel guitar amps have been the Webb 6-14-E, Fender Steel King and the Nashville 400 with factory mod. While this Quilter amp does not outperform any of these to my ears, it does
equal them with the tremendous advantage of having lower weight. The tone controls are active and in particular the mid-range control has a broad range and I found that small adjustments to this control make a big difference in the character
of the sound. I have to say that I wish this amp had an adjustable mid freqency shift control as that always helps an amp adapt to different guitars and venues. This is of course easily achieved by inserting some EQ into the effects
loop. After trying a number of setups I found that setting the amp up on a chair, using George L's cables (vs D'addario), inserting a Hall of Fame into the effects loop were things that brought out the tone I as looking for. It would
be handy to purchase a 15' speaker extension cable to enable one to set the Tone Dock next to your listening position while placing the speaker cabinet a ways from you. This would also place any effects you have in the external effects loop close
at hand for easy adjustment. A lot of people have stated that there's no need to purchase the 15" version of this amp and I don't doubt that the 12" speaker works fine. It just so happens that the 15" version showed up online when I went
to order the 12" one and I made an impulse decision to go with the 15". Pictured below are the amp settings and placement I settled on for use with my Excel 12 string D13 guitar. The Quilter built in reverb is quite good and I only
marginally prefer the Hall of Fame reverb to it. However I did like the tonal change that occured with the Hall of Fame and cables in the effects loop. I didn't try the direct recording capabilty of the Tone Block as I have a few other setups that do that well.
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The 3-way VOICE switch does have an FRFR setting. This could come in handy for use with an Axe Effects, Kemper or Tone-X pedal setup. One nice feature of the Tone Block is that there are no harsh harmonic
artifacts or intermodulation distortion when playing multiple notes at the same time. It has a clear but not harsh tone all the way up and down the guitar neck on all 12 strings.
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Sound Samples
Here's some sound samples from my first few days of playing through this amp. All samples use the Goodrich volume pedal with a Dunlop Hotpotz, and the amp's reverb. I did try a set of D'addario cables
from a Planet Waves cable kit but these recordings use the super low capacitance George L's cables. Although the higher capacitance D'addario cables roll off the highs a bit, I didn't like the boxy
sound they created on this guitar. All samples mic'd with a Shure SM57 onto a Zoom R24 recorder than ported to Reaper and mastered as 320 kbps mp3 files. For these recordings the amp was placed on the floor
and tilted back on the provided tilt-back legs.
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Recording Method
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Comments
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Shure SM57
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Reverb at different settings in the middle
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Shure SM57
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More sounds
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Shure SM57
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More sounds
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Shure SM57
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More sounds
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Shure SM57
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More sounds
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Sound Samples with configuration 2
I didn't really care for the tone I got with the amp on the floor either tilted back of standing straight up. I tried a bunch of things until I hit upon a setup that sounded good to my ears.
Placing the amp up on a chair immediately tightened up the bass response and reduced the boxy sounding midrange I was getting with the amp placed on the floor. I also inserted a Hall Of Fame
reverb, set on "Church", into the effects loop and it sounded better there than when placed after the foot volume. Despite the low impedance drive on the effects send and high impedance drive
the the effects return, this gave me a bit smoother reverb but also further shaped the tone to my liking.
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Recording Method
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Comments
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Shure SM57
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Hall of Fame reverb in effects loop
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Sound Samples with TT12 Speaker
I forgot that I had built an Allen Encore amp kit with a Travis Toy TT12 12" 8 ohm speaker. As shown below I dragged the Encore out and hooked it up to the Tone Block 202 and recorded it with the same
amp placement, mic location and Tone Block settings. Yeah the speaker is not mounted in a Quilter Dock but both units are open back. I was surpised to hear that the tone in the mid and upper ranges was
almost identical to the 15" TT speaker! The 15" has a big advantage only in the very lowest bass notes. Other than that I'd have no preference between these two speakers. I don't really care for the TT12
in the Encore amp with my Tele's so I'm replacing that with an Eminence Cannibis Rex Hemp Patriot 12" speaker. I recorded a few sound samples with this setup as linked below.
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Selection
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Recording Method
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Comments
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Shure SM57
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Hall of Fame Reverb
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Shure SM57
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Hall of Fame Reverb
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Sound Samples with TT15 in FRFR mode and ToneX pedal as a preamp
The Tone Block 202 as provided with the Quilter TT12/15 amps includes a FRFR (full range, full response) mode. In theory this puts the amp in a neutral EQ state and allows you to use a preamp to
to simulate the Amp, speaker cabinet and effects sounds. I tried this out with a ToneX pedal as the front end using the Twin Reverb preset with the reverb changed to a plate reverb with a delay
of 4.0 seconds. I ended up setting the Tone Block's tone controls almost flat. This has the advantage of placing the entire EQ/Amp/Cab and effects setting right next to your guitar. It also
allows you to tap into the stellar reverb, amps and cabs provided in the ToneX pedal. To my surprise it works great and gives you a bit more flexibility in adjusting the midrange tones. I've
included the Tone Block and ToneX settings in the pictures below. I captured these sounds with a Shure SM57 mic and a Zoom R24 recorder then ported them into Reaper mastering them only for
levels. The last two sound samples below are some Leslie sound noodling I did first with a Line6 Roto Machine and then an Eventide H9. Those samples were of course recorded in mono so they don't
really show off the authenticity of these effects.
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Recording Method
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Comments
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Shure SM57
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Hall of Fame Reverb
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Shure SM57
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Hall of Fame Reverb
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Shure SM57
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Hall of Fame Reverb
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Shure SM57
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Hall of Fame Reverb
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Shure SM57
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Hall of Fame Reverb
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Sound Samples with TT15 in Direct (to Zoom R24) output mode
The Tone Block 202 has a Direct output on the back panel that allows you to feed a signal to a recorder or a front of house system without using a microphone on the amp. Simply plug an XLR cable into the back of
the Tone Block and the other end of the cable into the desired destination. This is a clean signal out that also models the sound of a complete amp/speaker system. You have the option of simeltaneously using the amp's speaker or
unplugging it altogether (it's safe to do so!). The mode switch and all amp controls remain operable for this output. I didn't spend much time setting this up or recording it to optimize the sound but there are some sound samples
below where you can here what I've obtained so far.
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Recording Method
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Comments
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Direct
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Hall of Fame Reverb
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Direct
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Hall of Fame Reverb
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Direct
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Hall of Fame Reverb
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Direct
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Hall of Fame Reverb
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There are quite a few pictures below. Click on them to see them full size or at least sized to a browser window. Click on the picture again if needed to zoom in even more!
Comments? email webmaster Greg